I’m on Patreon.
Look forward to archival, unreleased, in-progress work and stories from the road and beyond.
I’m on Patreon.
Look forward to archival, unreleased, in-progress work and stories from the road and beyond.
The Mares have a conversation with Mikael Jorgensen as well as artist Cassandra C. Jones. The two share about their meeting, marriage, and life creating art, community, and children together.
Mikael Jorgensen is the keyboardist for Wilco and director of a forthcoming documentary on jazz legend Bob James. This is his first public conversation about the emotional components of his life story, as well as the arc of his entire music career including working with producer Steve Albini and the last 22 years in Wilco.
We had another wonderful evening of sharing music and stories this week. If you want to participate in the fun feel free to join my mailing list for updates and tickets.
What in the ever loving hell:
Friday, September 20, 6PM
Multi-instrumentalist Mikael Jorgensen of Wilco presents an evening of hilarious tales from his life in the rock’ n’ roll industry!
Listen with intention. Tickets on sale now.
My late father Joe Jorgensen was Bob James’ recording engineer from 1975-1990. They had a prolific and meaningful creative partnership for 15 years recording some of the greatest musicians at the best studios in New York City.
Joe would bring me to recording sessions in NYC at Mediasound, Powerstation, Soundmixers and CBS Studios when I was around 8 years old.
This is where I discovered my love of music and music production which has had a lifelong impact.
In October or 2022, Bob was playing at The Catalina Club in Hollywood, CA and on a lark I decided to go and see him after 30+ years.
On my drive home after the show I was struck that there wasn’t already book or documentary on Bob.
In a conversation with my friend and drummer Mario Calire I mentioned this glaring omission and he connected me to producer Greg Richling from the LA based production company Pfonetic. He had just finished “Immediate Family” the documentary follow-up to “The Wrecking Crew” directed by Denny Tedesco.
During our initial conversation, it didn’t take long for him to convince me that I should direct this documentary. I agreed, and here we are.
I feel fortunate and grateful to be in the position to make this film about a man whose music and presence have meant a lot to not only me and my family but the entire world.
In addition to Bob’s prolific 50+ solo records, and dozens of projects as an arranger/sideman, he’s the 2nd most sampled artist in hip-hop (James Brown being #1).
I’m looking forward to telling the story of this kid from Marshall, MO whose music mixed genres and crossed cultural boundaries in a way that could not be anticipated.
We hired our comedy actor pal Lonny Ross to make a video for us. Enter Torque Brigante (Ross), professional voice-over actor and vocal career coach. Torque’s delusions of grandeur lead him to believe he may actually be the lead singer of Lizard Music.
“The goal was to make an entertaining video, compliment the song, and encourage people to listen to the entire album - because it’s great. And I’m not just saying that because the band is currently hunched down over my shoulders watching me write this.” - Lonny Ross (Director)
Critics are raving
“It’s the best thing they’ve ever made, and it’s because of you, Lonny!”
- Bob Bordeaux, The Brighton Beat
“Ross’ performance is a masterclass in physical comedy, I mean it’s just him and a mic stand and I can’t keep my eyes off the guy.”
- Señor Ham, eatahamsandwich.com
“All that for some batting cage coins? Dude they took you for a ride. Oh hey wait, what are you doing? Let me go! Wait, you’re kicking me out of my own fake author quote? Put me downn…..”
- Anonymous
Had a great time at Lucy’s Meat Market shooting this demo of the Minimoog Model D for Guitar Center.
We had yet another stimulating evening listening to music as a group. There was some really great stuff in this playlist that was new to me including Russian electronic music, The Beths, Death and a deep and vexing cut from Thin Lizzy.
Join the OJAI-FI Discord group for all the playlists, discussions & more.
Listen here:
We had another absolutely enjoyable evening listening to music last night at The Ojai Underground Exchange. Here’s the playlist with a few songs that weren’t on streaming services linked below…
Last night I hosted the first open-to-the-public “OJAI-FI” at The Ojai Underground Exchange and the results were magical.
It’s quite simple really, we all just sit around and share our favorite music with each other with a laptop connected to the internet and a turntable.
Listening to recorded music as a group is a profoundly different experience than listening by yourself. It comes highly recommended.
Here is the resulting playlist of songs in the order that they were selected by those who came and had the courage to share their current favorite song.
More of these are in the works.
At Solid Sound Festival this year, 2022, I performed a completely improvised set of music on the piano. You can take a look / listen here:
Adam Schatz (Landlady, Japanese Breakfast), Nels Cline & I performed an improv set at Solid Sound Festival 2022 and you can take a look / listen here:
My Ojai pal, songwriter, producer and 70s-phile Scott Hirsch asked me to play Wurlitzer on this tune from his forthcoming record.
Listen to "Dreamer" here: https://music.scotthirschsound.com/Dr
Follow Scott: http://instagram.com/scotthirschmusic http://twitter.com/echomagic https://www.facebook.com/blueridersongs
Directed by Brendan Willing James
Cinematography by Brendan Willing James and Marc Alt
The band: Scott Hirsch Kelly McFarling Daniel Wright Mikael Jorgensen
Recorded live and Mixed at Echo Magic An Echo Magic Production
It’s always inspiring and exciting to play music at The Ed Sullivan Theater for the wonderful people at The Late Show with Stephen Colbert.
Mikael Jorgensen demonstrates the Korg ARP 2600 - All playing. No Talking
A songwriting exercise with favorable results.
I'll be honest about my poetry consumption: it's pretty dang low as of late. However, I was given a book of poetry by Anne Sexton on tour last fall from the Young Fresh Fellows. I started looking for poems that felt like they could also be songs, and got as far as the third poem in the book.
"My Friend, My Friend" read and felt like they could be lyrics for some rhythmic, modal, muted piano type deal. What drew me to this one is how provocative and ballsy it felt. The existential dread being batted away with dry humor. That's kinda my thing as well. Not the ballsy & provocative part, but the swatting away at the dread with best dry wit one can muster, part.
I now need to go read even more Anne Sexton, who like many my age first learned about her through the song "Mercy Street" from Peter Gabriel's 1986 Masterpiece "So."
Thanks for listening.